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Raised in Rockland Massachusetts, Patty's life
was forever changed when in 1967 her parents
took her to the 'CAMEO THEATRE' to see the movie
'To Sir with Love'.
She wouldn't drop her newly found English accent
until her older sister cast her as 'Helen Keller'
in the family garage production of 'The Miracle
Worker'.
On her 18th birthday she moved to New York
City where she survived living in her closest
sized room at the local ‘Y’ for
2 years by pretending she was filming the remake
of 'I WANT TO LIVE'.
After 2 years at the American Academy of Dramatic
Arts, where she was a frustrated student but
a very satisfied and creative 'Prop Master'
, she enrolled in 'The Lee Strasberg Theatre
and Film Institute' located in Union Square.
In 6 months her money was gone. After an inspiring
talk with Strasberg teacher Charlie Laughton,
she sold her beloved 1971 Mustang Convertible
and headed back to classes. When renowned acting
coach Elaine Aiken left Strasberg to form the
Actors Conservatory, Patty and a handful of
actors including fellow Street Schooler David
McCarthy, went with her.
She was introduced to Susan Batson in 1988
and quickly became a fan of the ‘Exer-Actor’
technique and thanks Susan for helping her find
her ‘Goddess’ within.
Patty was an original member of the 'Machine
Full' theatre company founded by Tom Gilroy,
Michael Imperioli and Lili Taylor and was proudly
the 'prop master' on their fabulous production
of Arthur Miller’s ‘Incident at
Vichy'.
She was the inspiration for Marek Probosz’s
script ‘American Family’ which will
be going into post production soon.
Her much anticipated play ‘Angel in the
Snow’ will hopefully debut before the
next millennium.
Patty has recently begun on-line courses for
her Bachelor’s Degree in Psychology.
And finally…..having been raised in Rock-land,
her love and attraction to the working class
and to ‘Rockers’ has given her endless
adventures, writing projects and stories to
share until her last breath. She looks forward
to her new journey with SSAC.
……………..’Hope
I die before I get old’
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