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STAGE PRODUCTIONS:
>> DONOR
Written by Vincent Riverside, Bruce McBurney and Chili Bowles
Directed by Vincent Riverside
April-May 2001; Los Angeles, Santa Barbara, Sonoma
“… The right to receive a healthy organ is the privilege of every person in the World Confederation” excerpt, Citizens Handbook, the Donor Lottery, Right and Responsibility.
Picture if you will, a different America, where organ donation is assured via a citizenry-wide lottery. For one night, 8 strangers will be locked up together, waiting for the morning. From varied walks of life and outlooks, one of them will be chosen. One of them will never leave this facility. One of them will be the donor.
>> SHOCK TALK IN A QUIET PLACE
A Two-Night Series of Six One-Acts, Performed on Consecutive nights.
Written by Robert Leroy, Naropa Sabine, Chili Bowles, Scott Bray and Bruce McBurney
Directed by Vincent Riverside
November 2002, Los Angeles
>> A NIGHT IN THE PARK NIGHT: Low and Outside, Michigan 49093, Shock Talk In A Quiet Place
Look through the fence. Look out the window. Do you see that man there? Like all of us, he’s trying to throw the heat…he’s alone on his mound…Or is he? See out the window. There are two men in the park. The streetlights are on, but all you see is dark. She stares through the window. It’s the lonely girl, who hears the birds singing…What do you hear, when she turns out the light?
A NIGHT AT THE APARTMENT: 3 AM, Indiana Mutual, The Water
Look in the window. It’s late at night; brother and sister, cold lonely night. Here’s another window, and there’s a battle at hand, or just two couples, who have had too much to drink. See in the window, the faucet is on…Is the water too hot, or just right?
>> SWIVEL
A Series of Comedy One-Acts: Blind Date, My What Big Teeth You Have, Swivel
Written by Vincent Riverside and Bruce McBurney and Matthew Light
Directed by Vincent Riverside and Bruce McBurney
September 2003, San Francisco and Los Angeles
Is the whole of our reality spinning?
Galaxies rotate planets revolve electrons dance in the tiniest of orbits and life seems to go by faster and faster every day. Stop, ask yourself this question; are you going anywhere, do you ever really get anywhere, or do you just seem to stay in one spot while you spin faster and faster?
…Do you swivel?
>> DEATH ISN’T FUNNY…SERIOUSLY
Written by McBurney/Riverside
Directed by McBurney/Riverside
June 2004, San Francisco
If “All theWorld” is truly a stage, then Death is our Final Act of fretting and strutting, and the Funeral is our Curtain Call. So go ahead, grab the roses, blow kisses to your adoring fans and sing ‘I Did It My Way’ one last time…Then again, are Funerals for the Dead or for the Living? Go ahead and laugh. You remember the last time that you stifled a laugh at a funeral, don’t you?
Besides, here at Gustav Craven’s we put the FUN back in Funeral!
>> BEFORE IT’S DONNE
Written by McBurney/Riverside
Directed by Vincent Riverside
June 2004, Los Angeles
Somewhere between the writer and the page…
A SLIP of the tongue or a slip of the mind; the act of creation can be a slippery slope. The art creates me as much as I create the art. Where is my ending and its beginning? Are we not the same? Or maybe we’re one? Either way, you’re the one who hears the voices, taking dictation in the dark. But She’s the one doing the talking. My Art is a harsh mistress…
>> DOCTOR, TAPE IS OUT
Written by McBurney/Riverside
Directed by Vincent Riverside
June 2005, San Francisco and Los Angeles
“Because you have to talk about something, Henry.”
What promises do you keep? Cards on the table, Honest-to-God TRUTH. What makes up a person? Is it your job, your family, friends, past, words, your deeds or your beliefs? Underneath the façade, the outer skin the shell you portray - somewhere deep inside within the molten core of being – crystallized beneath the weight of the world. Do you know who you are; what you stand for? Can someone else tell you, some Doctor with a degree? If you never stand up for something in a crumbling world, will you just fall for anything? What promises do you keep? To yourself…?
>> HER BENCH
Written by Jason DiLorenzo, Scott Bray and Vincent Riverside
Directed by Jason DiLorenzo and Scott Bray
January 2006, San Francisco
It’s a beautiful day in the neighborhood, a wonderful day in the neighborhood, would you be mine, could you be…oh screw it. It’s just another muggy day on the wrong side of town. You can smell Jimmy’s famous rigatoni from up the street, James is late for another business meeting, and Curtis is walking the block like a lost white brother from the Wu Tang Clan. And although you never know what’s going to pop off in the neighborhood, you always know one thing…Doris will be there…watching it all…keeping the hustlers honest, the world safe from communism and most importantly to Rose…uh, I mean , Doris… getting paid.
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FILM PRODUCTIONS
>> INLAND EMPIRE
(Co-produced Short)
Written by Bruce McBurney
Directed by Heather Watson and John Climenhaga
Produced by SSAC and Working Class Productions
Director of Photography, Steve Watson
February 2001
Blood is thicker than water - stickier, too. The Caparzo’s are not your run-of-the-mill So-Cal family…not when the family business is the manufacture and distribution of methamphetamine. Little Steve is dead, and his remaining male relations have gathered in his honor. Bullets, booze and blood will fly – if you didn’t want to get dirty, you shouldn’t have come in the first place….
>> GLORY (Short)
Based on a One-Act Written by Naropa Sabine
Screenplay Written by Naropa Sabine and Vincent Riverside
Directed by Vincent Riverside
Director of Photography, Bruce McBurney
Presented by the Street School Artist Collective and Fenwick Films
Executive Producer: Vincent Riverside
Associate Producer: Bruce McBurney, Lisa Acuña, Tony Mitchell
Edited by Mark Lion/Lion Associates
February 2002
Once upon a time…Jonas and Blake were more than brothers. They were best friends and partners in ‘The Life’: the unending search for the next score, the next high, the next party, and the next good time. But Jonas is clean now, and has taken his life in another direction. More than that, he has taken his young niece Jolie, Blake’s daughter, into safekeeping. Now Jonas has asked for a meeting, and Blake has agreed. Together these two will confront their pasts, with the future of a little girl hanging in the balance. They will search for meaning, for truth, for something – anything – with a little glory in it.
>> THE SURROGATE (Short)
Written by John Climenhaga
Directed by Vincent Riverside
Director of Photography, Bruce McBurney
Presented by the Street School Artist Collective and Fenwick Films
Executive Producers: Vincent Riverside, Brue McBurney, Lisa Acuña, John Climenhaga
October 2002
A young couple, desperate for a child…A young woman, willing to be impregnated… There are questions to be asked, answers to be given, a deal to be struck, and secrets to be revealed. All on a beautiful afternoon, somewhere in the park…
>> TRESPASSES (Short)
Written by Bruce McBurney
Directed by Vincent Riverside
Director of Photography, Heather Leroy
Presented by the Street School Artist Collective and Fenwick Films
Executive Producers: Vincent Riverside, Bruce McBurney, Lisa Acuña
Associate Producer: Robert Taylor
July 2003
What happens to a family, when half of it isn’t there anymore? Jake and Theresa thought they had it all, until their twin girls were taken in a car accident. And the family that was, just isn’t anymore…Theresa is still recovering from her injuries…She was driving…Can they find their way, and live through their pain…Forgive us our trespasses…
>> GOD ETERNAL, WITHIN THE BODY (Feature)
Written by McBurney/Riverside w/ contributions by Naropa Sabine
Directed by Vincent Riverside
Director of Photography, Bruce McBurney
Presented by the Street School Artist Collective and Fenwick Films
Executive Producers: Vincent Riverside, Bruce McBurney, Lisa Acuña, Robert Leroy
February 2005
They say art imitates life… But what if it was our very lives that were in reality, the work of art? Could mankind be a roster of actors, reciting lines for God’s camera on life’s great film set? Would that make Hollywood the devil, signing us to a deal? Would there be angels and carpenters, hammering on the backdrop? Are we nothing but shadows and light, dancing on a screen?
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